Museographies for Art Archives

Museographies for Art Archives

¿How to exhibit documents in Art Museums?

Loitering Performative Museography

Loitering Performative Museography

Mobile devices to active phenomena

Furniture: Mobile, movable, traveling, moving. Contrary to a property or real state, a building is immovable, it does not move – it is a property. The city is built of real buildings but also of tables, chairs, bookcases, movable flower pots, which furnish the interiors of houses and buildings, as well as the exteriors of streets, squares and sidewalks of our Latin American cities, turning the streets into temporary kitchens, shops, dance halls or open-air markets. They micro-construct the city every day in the morning and de-construct it every night using elements that can move, furniture.

Artisanal Museography

Artisanal Museography

Common trades and anthropology of knowledge

Topographic Museographies

Topographic Museographies

They are museographies outside the wall that take place on tables and islands as habitable platforms and information topographies.

Museographies as habitable architectural furniture

Museographies as habitable architectural furniture

Museographies, as habitable architectural furnishings, serve as architectural exhibition platforms that, in the form of islands, occupy the center of the room. They feature the construction of a central museographic entity that can have its own dynamics and engage in various ways with the surrounding walls of the space, also helping us to break free from our dependence on the walls. This allows for the creation of a central imagery without relying on the walls.

Modular assembly museographies

Modular assembly museographies

Museographies to reuse or just use and throw away?

Museografies in Collective and Pedagagical processes

Museografies in Collective and Pedagagical processes

Museographies in collective and pedagogical processes

Museography for Contemporary Art

Museography for Contemporary Art

Museographies to exhibit Design

Museographies to exhibit Design

Museographies in Natural Environments

Museographies in Natural Environments

Museography which is the content and the work exhibit

Museography which is the content and the work exhibit

Museographies for Art Archives

Museographies for Art Archives

¿How to exhibit documents in Art Museums?

From Museography to Museology

From Museography to Museology

From making an exhibition to making a Museum, from temporary exhibitions to permantent exhibitions,.

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Political Equator

2006 /

Museography for Contemporary Art /

(In collaboration with Lucia Sanromán)

Political Equator was a three-day event on the topic of “urbanities of labor and surveillance”, that took place from June 9 to 11, 2006, in the trans-border region between the San Diego/ Tijuana.  It was organized by the department of Visual Arts of the University of California, San Diego campus, (UCSD) in collaboration with the Haudenschild Garage, Casa Familiar, and InSite.

Germen was invited to work on a space recently formed by Casa Familiar, an activist organization and NGO located in San Ysidro, CA that is committed to act on the cultural, social, and economic effects that the border has on the small Californian town.  This was the site of the debate and conference that was  held to discuss immigration policies and politics, labor, and surveillance in the post 9/11 period.

Germen’s intervention was conceived as a series of small punctual alterations to the existing space, made with inexpensive materials such as plastics, paper, wood, and fabric. Paint was primarily used to diagram the space and as the main strategy for designing, and demarcating the program.

The “property line,” as a sign of a limit or border, was used as a codifier, represented by nine columns in the space. The paint intervention was extended from each column towards the ground,generating radiating circumferences that overlap one another, connoting the overlap, or mixing, of different “properties.” The evening’s program was conceived as a cultural “happening.” Instead of creating a stage that would separate the speakers from a distant public, the event provided the conditions for a non-hierarchical and shared situation: the chairs were stacked by the entrance, and the public picked their seat and placed it over the “property lines;” the three speakers were seated amongst the public and spoke in intervals of 15 minutes, with the help of six projectors that were interspersed in the space.  The moderator constantly intervened in this complex event and invited the public to comment, until it came time for tacos, drinks and an intermission. Later, they returned for questions and answers, public dialogue and, finally, salsa and cumbia dance.

Germen Estudio is an architecture and design office specialized in creating museographic experiences for a wide variety of exhibitions, ranging from modern and contemporary art exhibitions to displays of anthropology, material culture, archival documents, as well as exhibitions that explore economics processes and community narratives. Our design philosophy is based on the conception of active and versatile museographies that allow adaptation, reuse, transformation and change. Overcoming the limits of the traditional “white cube” by eliminating the bureaucracy in the use of drywall and advocating for a museography that explores other materials, constructions and exhibition systems that provide visitors with a comprehensive experience in which the exhibited work converges, the presence of the viewer, the museographic furniture and the architecture of the museum. Our goal with exhibition design is to transform the museum visit into a dynamic and memorable experience that transcends traditional conventions.

Giacomo Castagnola received his Master of Science in Art, Culture and Technology (SMACT) from the School of Architecture and Planning of the Massachusetts Institute of Technology (MIT) in 2013, and holds a degree in architecture and urbanism from Ricardo Palma University (URP) in Lima Peru. Originally from Lima, Peru, for seven years (2003-2010) he lived and worked in the Tijuana / San Diego border region where he established Germen, an architectural and design studio, to investigate the self-organized "informal" city that composes up to 40% of the urban and growing infrastructure of many Latin American cities. Currently, Castagnola works in Mexico City in architecture for exhibitions and museographies that explore new ways of displaying archives of art and material culture.

Logo Germen

Founder

Giacomo Castagnola

Arquitectos

Erik López
Cristóbal García

Past Collaborators

Fernando J Limón — San Diego, CA
Fernando Becerra — San Diego, CA
Carlos A. Augusto Paz — Tijuana, MX